#Minolta autocord for sale series

They are most suitable for B&W as a result. This camera works good and comes with everything pictured. Probably the best entry into medium format film cameras. Some folks like the Zeiss Ikoflex cameras, although the film transport on the ones I've seen is primitive, with a red safelight window to identify frame position. Sold Price: 350.00 Payment method: PayPal Item condition: 8 Well used - may exhibit 'dings' or finish marks Minolta Autocord (1959) Version: RA-2 with a Citizen MXV shutter Ive moded, CLAd and film tested this gorgeous beast. As far as I know, these were always Tessar type lenses, but I've never seen or handled one.

They were also marketed under the Sears Tower label, and the lens was labeled either Zuiko or Nikkor, if it was made by Olympus or Nikon respectively. Autocords are famous for not having a particularly beefy wind lever that can break off, and I just purchased and had to return a YashicaMat that had a weakened linkage between the wind mechanism and shutter cocking facility causing it to fail during my test roll.ДЄ couple of other TLRs that are reputed to be very good optically, but uncommon and hoarded by collectors are the Olympusflex 75/3.5 Zuiko, and the those Airesflex TLRs that had lenses made either by Olympus or Nikon. I think the main advantage of a Rolleicord over a Japanese TLR, particularly a later model like the IV or V models, is that they are likely more robust, but not by a lot. You might be able to image a 2-dimensional subject with acceptable sharpness by f/5.6 or maybe even f/4.5 (you'll need to test it), but usually these cameras hit their 'sweet spot' of center-to-corner sharpness of the focal plane around f/8.ДЄlthough the Rolleicord was not built to the ruggedness of a Rolleiflex TLR, the Rolleiflex TLR is built to standards of robustness that far exceed most cameras, and Rolleicords are still very well made cameras. If you want shallow depth of field, such as in a portrait, this softness wide open improves the bokeh of the lens, leading to soft, creamy out of focus areas. This goes away completely as the lens is stopped down. I've seen slower max aperture Tessar lenses that were fairly sharp center to corner wide open (up to about f/4.5 wide open), but the f/3.5 and f/2.8 Tessar lenses have some residual spherical aberration that renders the periphery of the image a tad soft. This is best for entry-level users who want to take professional-looking shots.All of the TLRs with Tessar lens formula optics are very good, whether Rollei, Minolta, Yashica, or Ricoh, and no doubt others are good as well. The model has 80mm f/3.5 Yashinon lens and is compatible with both 120 and 220 films. It is budget-friendly and great for taking subjects in motion. Made in the 1970s, this vintage TLR is popular to this day. It boasts of a Rokkor f/3. Its control features are similar to the Rolleiflex. The Japanese Minolta Autocord of the 1950s (whether the original, the RA, or the CDS series) is a TLR that keeps increasing in value because of its excellent optics and control the only TLR that may have outperformed Rollei during its time. The Yashica MAT-124G is a well-loved Japanese TLR model. HereвЂ™s a list of eight twin lens reflex cameras for you to try. Experimental and creative users can manually control and tinker with the configuration to produce phenomenal photographs. FM Forums Buy & Sell Photo-Gear Join Upload & Sell : Bought: Minolta Autocord or Yashica Mat. The MINOLTA AUTOCORD had an 11 year production run ending in the 1966. The AUTOCORD was MINOLTA's entry into the high-end TLR marketplace competing directly with the German made Rolleiflex and Rolleicord medium format cameras but at a lower price point.

#Minolta autocord for sale series

Medium format films have higher quality in terms of grain, contrast, resolution, color, even clarity compared to the popular 35 mm. The MINOLTA AUTOCORD TLR Series of cameras made its debut in 1955. What better way to start than with medium format cameras such as TLRs? With TLRs or twin lens reflex cameras there are no image blackouts and the image in the viewfinder is the same as what appears in the film. They will look for something different than the usual point-and-shoot, compact 35 mm camera.

There comes a time a Lomographer just gets bored with their usual gear. 8 TLR Cameras For the Creative Photographer 26 36 Share Tweet